Provided by:
Fred. Olsen Cruise Lines
Welcome to the stunning city of Ålesund, famous for its unique Art Nouveau architecture! With this GuideToGo audioguide, you’ll discover Ålesund’s fascinating history, from its dramatic rebuilding after the fire of 1904 to its vibrant maritime culture. Explore charming streets, enjoy fresh local seafood, and take in panoramic views from Mount Aksla. Dive into Ålesund’s rich history and beauty today!
Statuen er av vikinghøvdingen Gange-Rolv. Den er en bronsekopi av originalstatuen i Rouen, og ble gitt til Ålesund by som en gave fra Rouen i Normandie. Gange-Rolv var sønn av Ragnvald Mørejarl. En kjent vestlandsk jarl som hersket over det fylket vi i dag kjenner som Møre og Romsdal. Rolv fikk tilnavnet Gange-Rolv fordi han var så stor at ingen hest kunne bære ham. På grunn av dette gikk han til fots overalt. Gange-Rolv ble lyst fredløs etter et vikingtokt i Haraldsrike på Østlandet. Da han flyktet vestover endte han til slutt opp i Frankrike. Rett før år 900, ved munningen av elven Seine, slo Gange-Rolv og hans menn seg ned for godt. Etter gjentatte plyndringer innover i landet så den franske kongen seg nødt til å slutte fred med Rolv og hans menn. I et kapell i landsbyen St. Claire-Sur-Epte inngikk de en avtale. Gange-Rolv, eller Rollo som franskmennene kalte ham svor troskap til kongen, og fikk sitt eget landområde i retur. Rollo ble fra år 911 hertug av området Normandie, noe som satte en stopper for vikingtoktene i Frankrike. Hans etterkommere satt som hertuger i Normandie fram til året 1202.
The sculpture ”Avisgutten” was a gift from the local newspaper Sunnmørsposten to the city of Ålesund in 1998. The newspaper boys, who earned a few kroner each day through selling newspapers, were a regular feature in the cityscape up until the 1960s, and the newspapers they sold were Sunnmørsposten and the Sunnmøre Arbeideravis. The sculpture is made by Arne Martin Hansen, and symbolises how newspapers were sold by the newspaper boys, as well as the value this gave Ålesund.
The city park in Ålesund was landscaped in 1885, and to pay the cost of building the park, Aalesunds Brennevinsamlag, the Aalesund Liquor Association donated 8,000 NOK, and gardener Leyberg was given the assignment to plan the park. Today the park is the starting point for the 418 steps leading up to the top of city mountain Aksla, where the famous Fjellstua is situated.
Kongensgate in Ålesund stretches from St. Olavs Plass in the South, until Sorenskriver Bulls Gate in the North. Here you can find buildings from the period after the 1904 city fire, in the Art Nouveau style. Big parts of Ålesund that were rebuilt after the city fire has characteristics from the Art Nouveau style. Most of the facades in Kongensgate have been well preserved and the street is especially elegant looking, and a showcase for the Art Nouveau style. Kongensgate was turned into a pedestrian street in 1989.
The cultural building Arbeideren was completed in 1906, as the main building for cultural events in Ålesund, a position it has kept for more than 100 years. Arbeideren is known as the most monumental Art Nouveau building in Ålesund, and arises as an important element in the cityscape. The distinctive facades mix temple gables, neo-classic columns and balusters with the details, ornaments and keyhole shaped doors and windows of the Art Nouveau style. The interior is beautifully decorated in Art Nouveau style, with a simple and elegant decor. As a whole, the exterior and interior appear as an ambitious complete work of art from the architects. Arbeideren is today one of the most beautiful festivity buildings in Norway. The preservation also underlines that the building historically has been of great importance to the cultural and social life in Ålesund.
The bronze statue of city historian Harald Grytten shows Grytten the way most of the local population remembers him, standing on his just as famous wooden stool in the heart of Ålesund. Harald Grytten was extremely important for the city development in Ålesund, where his commitment to the original building environment has been decisive. Through books, lectures and city walks, Harald Grytten has richly illustrated Ålesund through the ages. As a thank you, a mission to raise money from the local population was started in 2010, in order to erect this statue of Harald Grytten.
The rebuilding after the great city fire went quickly, also here where you can see what is today referred to as "The city's narrowest house". "Is it a house, or perhaps a backdrop?" like to ask the tourists on their way when they discover the house, which is only 2 meters and 97 cm wide in the facade that faces what is today the city's pedestrian street. "It's another house with a whole three floors. Shop space on the first, then two floors and in addition a small attic." The special thing is that the house expands backwards and becomes somewhat wider at the rear. The architect who designed the building is considered one of Norway's leading architects around the turn of the century. In addition to several assignments in Ålesund, including "Rønnebergbua", he also designed a number of significant buildings in Trondheim. Originally there was an opening where you could drive a horse and cart into the backyard of the plumber's workshop that was located there. Today, that opening has been sealed off and replaced with a shop and art gallery.
The ”Hundevakta” (The Dogwatch) is a statue erected in honour of the war sailors of WW II. The word ”dog watch” arises from the division of the watches at sea during that time, and the dog watch was considered the most strenuous and toughest watch. It lasted from midnight until 4 in the morning, when people are considered to be the least vigilant and in a vulnerable position. The sculpture depicts a young man keeping a lookout for the dangers surrounding him, and has become a representative for thousands of other sailors in the same situation.
The statue of the resistance fighter Joachim Rønneberg is to honour the hero and those he cooperated with during the liberation of Norway in WW II. Joachim Rønneberg left Norway onboard MK ”Sigurd” on March 13th, 1941, to participate in the battle for freedom, to be based in Great Britain. Here he became second lieutenant in what is now known as Company Linge, formerly called Norwegian Independent Company No. 1. With training in sabotage and explosives, he lead the group performing the operation ”Gunnerside”. A military sabotage operation with the goal of stopping the production and export of heavy water from the factory of Norsk Hydro at Vemork. On the night of February 27th, 1943, nine of the soldiers ventured over the ice covered river Måna, along the railway tracks, an area that was not mined. While the coverage team stayed on guard, the explosives team forced their way into the heavy water factory, and set the explosives on the heavy water containers in the basement. The bomb went off and 900 kg of heavy water was destroyed. Not a single shot was fired during the entire operation, and the operation is considered by many to be the most important and most successful sabotage operation during the entire WW II. 12 months after ”Gunnerside”, in March 1944, Joachim Rønneberg, Birger Strømsheim and Olav Aarsæther is parachuted into Veltdalen. They spend the next year in the Tafjord Mountains, preparing the next attack, Operation Fieldfare. The purpose of the operation was to reconnoitre and prepare attacks on German supply lines at the Raumabanen. In January 1945, they blow up the Stuguflåtbrua and close down the German supply lines for three weeks. Joachim has received numerous decorations throughout the years as a thank you for his military contribution, but Joachim himself does not want people to focus on him being a war hero. Peace and freedom is not a given, Joachim is supposed to have stated. It is therefore important to relate this story to future generations.
Løvenvold cinema with the address Løvenvoldgaten 11, is a protected cinema in Ålesund. It opened and showed its first show September 1st, 1923. The interior decorations are depictions of the folksong ”Villemann og Magnhild”, made by Øyvind Berg Grimnes. The exterior facade consists of several combined elements, underlined by the building being situated on a slope. The tall part with pointy gables is prominent in the architecture of the building. The cinema has, since January 1st, 2014, been run by the private company Norsk Kinodrift AS, and has 310 seats, including the balcony. On the lot, a magnificent building named ”Løvenvold” was originally situated, but this was lost during the city fire in 1904. In addition to the cinema, different companies have offices in the building today.
The 5.5 metre tall sculpture in steel named “Nyskaperen”, is a gift from the business community to the city of Ålesund, and is a large edition of the statue given to especially creative and innovative companies on the Nordvestlandet every year.
Foto: DigitaltMuseum Hele dette feltet ble bygd om i slutten av 1970- åra. Det rommer i dag byens Rådhus i høyblokka, og bystyresal, bibliotek og forretninger i den lave blokka som er kalt Kremmergaarden. Disse bygningene ligger på det som en gang var Rønneberghaugen. Der begynte hundrevis av måser å hekke i 1950-åra, slik at vi rett og slett fikk et fuglefjell midt i byen. Dette ble imidlertid skutt bort for å gi plass til Rådhuset og Kremmergaarden. Det ble stående igjen en rest av fuglefjellet i flere år etter at Rådhuset var kommet opp. Der fortsatte måsene å hekke midt i trafikken, helt til også denne knausen måtte vike i 1983.
The bronze statue “Sildekona” was erected in the honour of all the “sildekoner” (herring women) once working in Ålesund. In 1898, drift net fishing was started on a trial basis, to catch large herring. This started a period of almost 70 years, where the annual harvest of “the silver of the ocean” gave Ålesund the name “Storsildbyen” (the city of the big herring). The fishing fleet was motorized and mechanized in the years leading up to WW I, and the fishing areas kept being expanded. The city’s economy was, at this point, very dependent on export of herring, and even though “sildekonene” were paid modestly, their work on placing the herring in barrels for salting and export was extremely important, and ensured that high quality could be transported out into the world.
“Fiskergutten” (the Fishing boy), or “Skårungen”, as the artist called it, is the biggest sculpture on Apotekertorget. The boy is a symbol of young people’s fire and expectation of the future. Ålesund has also given this sculpture, in a smaller edition, to its twin town Akureyri on Iceland.
Hellebroa is the only driveable land connection between Nørvøya in the East and Aspøya in the West. It might not be a staggering structure, but for the normal person from Ålesund, it is the most important hub in the centre. The first edition of the bridge was finished in 1836, and during the building process, the strait below the bridge was deepened, to allow smaller boats to pass from the South to the North. This became the Hellebroa until 1907. The original bridge burned down during the city fire in 1904, and from 1904 until 1907, a simple, provisory bridge made of tree, was used. During the construction of the second bridge, it was decided that it should be a swivelling construction of iron, to allow larger boats to pass into the Brosundet. In the following years, it became necessary to build a bigger bridge, as the traffic in the centre grew with the population. Today’s bridge was finished in December 1936, and although some still think the strait is in need of a bigger bridge, this is the Hellebroa.
The jetty, with its well-known lighthouse, was finished in 1855, and was financed in cooperation between the Port Authorities and the merchants in the city. Moljå, or Moljo, is the way this jetty is referenced in Ålesund. An explanation for why the word has been twisted like this can be found in Spanish, as there were, in the 1800s, a lot of Spanish ships stopping by the city to buy stockfish. With so many Spanish in the city at the same time, they inundated the people of Ålesund with their Spanish expressions, and in general coloured city life. A very distinctive hotel room has now been built inside the now more than 150 years old lighthouse on the tip of the jetty. Room 47 belongs to Brosundet Hotel, and has two floors, where the first floor is a bathroom, while the second floor is a combined bedroom and livingroom.
The first church in Ålesund was built in 1854 and was situated in the same place at the church is today. It remained there for exactly 50 years, until it burned in the large city fire in 1904, as, even if it was made of stone, fire blew in from above, and the church burned from the inside. To decide how the new church should, an architectural competition was announced. A total of 63 suggestions were entered. After long discussion, the drawings of Sverre Knudsen were decided upon. He was told to modernise the drawings somewhat, to make the church look a bit more Protestant, rather than maintain the Catholic look it had in the drawings. In July 1906, King Haakon VII himself came to Ålesund to lay the foundation stone, so that the work could start in earnest. After three years, on September 15th, 1909, the church was ready to be consecrated. Among the guests were representatives from the Norwegian King, as well as from the German Kaiser, Wilhelm II. The interior has been modernised since then, but the exterior is still the same, more than 100 years later.
The long, white, wooden building at the tip of the Skansekaia, is the home of the city’s Port Authority, and where the “Hurtigruta” docks twice a day. The Skansekaia is named after an old sconce or after fortifications constructed in the 1600s, where the largest pier in the area is today. This is approximately where the “Hurtigruta” arrives on the west side of the pier.
Welcome to the cruise pier, at Prestebrygga in Ålesund, one of Norway's most beautiful coastal cities, famous for its stunning Art Nouveau architecture. Rebuilt after a fire in 1904, the city is a showcase of elegant design. Prestebrygga, or the priests quay, holds historical significance as an old quay used for trade. From the pier, you can explore picturesque streets in the town center, charming shops, and cozy cafés, just a few 100 meters away in the town center.
Welcome to the cruise pier, at Storneskaia in Ålesund, one of Norway's most beautiful coastal cities, famous for its stunning Art Nouveau architecture. Rebuilt after a fire in 1904, the city is a showcase of elegant design. Storneskaia has historically been a hub for sea transport and trade. From the pier, you can explore picturesque streets in the town center, charming shops, and cozy cafés, just a few 100 meters away in the town center.
This quay is called "Prestebrygga", or the priests quay, and originates from the fact that the quay was originally used by the priest and the church in Ålesund. In earlier times, it was common for priests to have access to their own quays for traveling to various parts of the parish, which often included several islands and fjords. This name has been preserved over time as a reminder of the quay’s historical role and significance in the local community. You'll find the city center to the east, where the town is divided by the beautiful Brosundet. Crossing the road by Hotel Waterfront, you'll reach Ålesund Church and several viewpoints offering stunning views of the sea and the northern islands.
You’ve probably heard about the Ålesund fire. The fire occurred on the night of January 23, 1904, and is one of the most catastrophic fires in Norwegian history. The fire started in an old canning factory, not too far from where you are standing right now, and quickly spread towards the city center due to strong southeastern winds, which carried flames and sparks across the town. The wooden houses in the city contributed to the uncontrolled spread, and within 16 hours, almost all of Ålesund’s city center was destroyed. Over 10,000 people were left homeless, but miraculously, only one person died. The weather that night, with strong winds and cold winter conditions, made firefighting extremely difficult for the crews.
You have now arrived Kulturhavna, or the Cultural Harbor, which is a vibrant meeting place by the city's waterfront, where culture, art, and history come together. The area hosts exciting events such as concerts, exhibitions, and local culinary experiences. With its unique location by the sea, the Cultural Harbor is an important venue for promoting both traditional and modern culture. Visitors can enjoy an authentic Ålesund experience, surrounded by the city's beautiful Art Nouveau architecture and maritime environment. Kultur havna is a new project and is constantly getting new exciting activities for both locals and visitors.
The Aspøyskolen, the Aspøy School, used to be the biggest building in Ålesund, and the school was first put into use in 1922. The cost of the school was 2.2 million NOK, which made it the most expensive building built in Ålesund. On Thursday, April 25th, 1940, six German bombers flew over Ålesund, and soon after the air-raid siren, the impact of bombs was heard. The school was hit by both blast bombs and fire bombs. The large copper tower was blown up, and the fire spread across the building. The Germans also occupied large parts of the school. They lived in some of the classrooms, while the gym was storage for liqueur and ammunition. At the end of the war, on March 28th, 1945, the school was bombed once more, this time by allied bombers. After the war, the school was restored, but was not completed until 1951. Today the school has around 180 students and 40 staff.
The sculpture “Towards the sea”, shows the beautiful woman staring out to sea looking for her loved ones, and was erected in the memory of 33 fishermen who died during a storm in 1885. 29 widows and 113 was left behind, most of them form the area Buholmen and Røysa. Even though fishing has changed a lot since 1885, the memories of hard and tough everyday life still lives on the people from Sunnmøre. The lady in bronze staring out to see, has now become a representative for the dependents of deceased sailors.
The Waldehuset got the name” the miracle house” after the city fire in 1904. Anders Nord, who lived in the house on that fateful night of January 23rd in 1904, stated in the aftermath that he had been visited by an angel the day before the city fire. And the angel stated –”Fear not! I have been sent from the Almighty God to tell you that in this night, this whole city will be burnt to ashes for the many and large sins committed in it. But God has given you mercy – and you and your wife shall not go outside and not carry any of your belongings outside, for all that will carried outside will burn. I will keep you, and nothing evil will befall you.” Anders Nord did as the angel told him, and stayed in the Waldehuset as the city fire ravaged around him. His wife, Regine, who was not as strong in her faith as Anders himself, carried all of the furniture from the house into the city park during the night. When morning arrived, and the fire died down, the Waldehuset was left among the ruins, but the furniture carried outside, was burnt to ashes.
From the Skateflukaia, fast boats travel to the islands of the coast of Ålesund. The monument ”Englandsfarten” (The journey to England) on the pier is erected in the memory of the journeys of those having to flee the Nazis during WW II, and depicts a man, the prow of a boat and a wave, where the young man vigilantly stares at the horizon. Ålesund was central in the escape westward to the British Isles, and the dangerous journey most often took place in small motorized boats. This traffic has in retrospect become known as the ”Englandsfarten”. Ålesund was known as ”Little London” due to all of the illegal resistance activity in the city, and because so many managed to escape by sea from Ålesund to England. The sculpture was unveiled on May 8th, 1995, by H.R.H. Crown Prince Haakon.